Clay and Wes discuss Star Trek: The Motion Picture! When an hostile cloud creature enters Federation territory, Admiral James T. Kirk takes back command of the Enterprise in order to save the day. A polarizing film, The Motion Picture is long, beige, and surreal. But it’s also fascinating and sometimes incredible! Clay and Wes discuss scope in film, transporter accidents, and pans for days!
KHHHAAAAAAAAAANNNN!! When Kirk’s old nemesis returns with vengeance in his heart, the aging admiral must confront his fear of aging and death in order to save the Federation from the genetically engineered mad man! Clay joins me to discuss The Wrath of Khan, which is frequently thought to be the best Star Trek film. Does it hold up? Does it honor the sublime memory of The Motion Picture? Are the space battles really that bad? We also discuss reboots that remake, the new naval aesthetic, and underselling important scenes.
You knew he wouldn’t stay dead, right? In Star Trek III: The Search for Spock, Kirk and company hijack the Enterprise in order to return to the Genesis planet and reunite Spock’s soul with his body. The middle film in the trilogy that spans from Khan to The Voyage Home, The Search for Spock is also Leonard Nimoy’s directorial debut! Can it hold on to the energy and pacing of Khan? Does does it slide back into the passive drone of The Motion Picture? Clay and I discuss bad action scenes, Klingons as we know them now, and the new version of Saavik!
Star Trek IV: A Whale of a Time! The final part of the film trilogy that started back in The Wrath of Khan, The Voyage Home certainly feels different from what has come before. Featuring no real villain, our heroes instead go back in time to find an extinct species of whale that will be able to save Earth in the 23rd century. Light hearted and comfortable, it’s a nice change of pace from the drama heavy Khan and Search for Spock: but is it any good? Clay and I discuss plots that sound absurd, the best scene so far, and Scotty the comedian!
Like Dinosaur Jr said, Sybok feels the pain of everyone and then he feels nothing! The Final Frontier is the directorial debut of William Shatner and a movie that is not highly regarded by neither fans nor critics. Featuring tubby actors, odd tonal shifts, and gods at the center of the galaxy, it’s a movie that feels unlike anything that has come before it (except for Dune). But is it really that bad? Clay and I discuss the fifth movie in the TOS lineage, and we break down erotic dances, jet powered boots, and movies that don’t know what they’re talking about!